THE IN-BETWEENS

The In-Betweens is a series of figurative oil paintings that explore what it means to be fully present in one’s body, mind, and identity while living in the charged middle spaces between burnout and recovery, visibility and vulnerability, protection and openness.

Using vivid color palettes and layered imagery, each portrait reveals something about the subject’s internal landscape while asserting their right to take up space exactly as they are. The people I paint are often rendered with overlays that reflect the truth that our environments, our histories, and our chosen communities shape us.

The title of the series refers not only to emotional or psychological liminality, but also to cultural and political in-betweens: what it means to be a woman of color in America, to be exhausted and joyful at once, to be seen and misrecognized, to belong and to resist. On a personal level, as a Latiné artist born in Colombia and adopted into a white American family, I have always lived in the in-between. I have been yelled at to “go back to my country” in the only country I’ve called home, yet I have also apologized for not being able to speak Spanish. This work is a refusal to flatten or simplify identity, and an invitation to consider the glow of a person’s spirit as inseparable from the world they move through.

STILL WARM

Still Warm is an ongoing series exploring death through the lens of my lived experiences. I paint from what I experience, so I am fascinated by the impossibility of painting death itself. I won't live death until it happens. So, I'm painting rehearsals for death. I paint rituals, endings, beginnings, aftermaths, pageantry, and the transformations that come with every kind of loss. Each work translates the unknown of death into the familiar.

I am drawn to death because of its taboo. Speaking of death can be treated as superstitious, as if saying it will bring it closer. But death is the one inevitable of life and its presence extends beyond our final breath. In Still Warm, I do not hide death away, but I stage it as it presents itself in my life. 

I chose the title Still Warm because it marks the moment just after loss, where someone's spirit has slipped away, but the body has not yet gone cold. It is a reminder that death and letting go are not instant. Still Warm inhabits that suspended space where absence and presence exist at once, where grief and hope overlap.

Still Warm is also an act of reclamation. I am alive enough to imagine my own death, stage my own funeral, and perform the rituals of undoing before anyone else does them for me. I claim authorship over what is usually written for someone in their absence. I will narrate my own becoming while I am still here.