The In-Betweens

The In-Betweens is a series of figurative oil paintings that explore what it means to be fully present in one’s body, mind, and identity while living in the charged middle spaces between burnout and recovery, visibility and vulnerability, protection and openness.

Using vivid color palettes and layered imagery, each portrait reveals something about the subject’s internal landscape while asserting their right to take up space exactly as they are. The people I paint are often rendered with overlays that reflect the truth that our environments, our histories, and our chosen communities shape us.

The title of the series refers not only to emotional or psychological liminality, but also to cultural and political in-betweens: what it means to be a woman of color in America, to be exhausted and joyful at once, to be seen and misrecognized, to belong and to resist. On a personal level, as a Latiné artist born in Colombia and adopted into a white American family, I have always lived in the in-between. I have been yelled at to “go back to my country” in the only country I’ve called home, yet I have also apologized for not being able to speak Spanish. This work is a refusal to flatten or simplify identity, and an invitation to consider the glow of a person’s spirit as inseparable from the world they move through.

Still Warm

Still Warm is an ongoing series exploring death through the lens of my lived experiences. I paint from what I experience, so I am fascinated by the impossibility of painting death itself. I won't live death until it happens. So, I'm painting rehearsals for death. I am painting rituals, endings, beginnings, aftermaths, and the pageantry around laying someone to rest. In this series, each work translates the unknown of death into the familiar.

I am also drawn to death as a subject because of its taboo. Speaking of death can be treated as superstitious, as if saying it will bring it closer and into existence. But death is the one inevitable of life. In Still Warm, I do not hide death away, but I stage it as it presents itself in my life. 

I chose the title Still Warm because it marks the moment just after loss, where someone's spirit has slipped away, but the body has not yet gone cold. It is a reminder that death and letting go are not instant. Still Warm is also my reclamation because I am alive enough to paint my own death, stage my own funeral, and perform the rituals of undoing before anyone else does it for me. I will narrate my end while I am still here and I claim authorship of what is usually written for someone in their absence.

Legacies

Legacies is a series of portraits in a more traditional (to me, HA!) style that delves into familial connections, the passage of time, and the weight of all we carry into our present selves. Legacies is a deeply personal collection of works in which I memorialize my journal through self portraits and paintings of dear members of the family I was adopted into. I wish to honor the memories of those no longer with me and highlight the impact that they have on me.